Abstract
Although polyphonic as a literary term was born with prose and became a synonym for and closely related to the novel in particular as it possesses a dense narrative that distinguishes it in this aspect from other literary genres, however, no matter how special and inherent in as it appears, it remains, for these species, an interactive partner par excellence. To prove that, the researcher starts from the idea that the term polyphony is a flexible term that tends to include different literary genres. As the novel, poetry has become a point of alliance of different views that converged upon it and entered into its structural fabric, and helped it shift from the dominance of a monolithic vision to a new framework that allows pluralism, whether at the level of multilingualism, styles, characters, ideologies, patterns of consciousness, or others. The researcher will perceive this diversity through four mechanisms: hybridization, stylization, typesetting, and then minted phrases.
Main Subjects
المصادر والمراجع
· Oswald Ducrot, le dire et le dit, leS ÉditiONS de MiNUit, Paris 1984.
References