Abstract
In its quest to reveal a different vision, the novel needs a narrative code that transforms its semantic dimension into discourse symbols to produce knowledge that stems from its fictional space to a rational world. This is what the Algerian novelist Ahlam Mosteghanemi sought in conveying the concerns of the Algerian reality by opening creative narrative texts to communicate her literary aspirations which enabled her to convey her literary messages and intentions. Therefore, the Algerian novelist kept pace with the reality despite the various changes and circumstances she went through and the factors that contributed to bringing about this change, so that her name would be incripted in the literary circles.
This study is based on the lesson of the narratee by the novelist Ahlam Mosteghanemi in her novel (Chaos of the Senses). The study identifies the three techniques of the narratee (the dramatized, the non-dramatized, the semi-dramatized). The narratee would differ from the real reader who is a person dealing with the fictional work whenever he wants, and differs from the implicit reader who is an imaginary being born at the moment of writing the narrative text. We must not confuse the narratee that is the person to whom the narration is directed within the text. The focus was on the novel (Chaos of the Senses) and how to employ the concept of the narratee within the text, in an attempt to highlight the artistic value of the narratee in the modern Algerian novel.
Main Subjects
المصادر
References